Since 2002 (updated often), your old-school website for all things stencils. Photo, video, links, and exhibit info submissions always welcome. Enjoy and stay curious.

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Interview with Melanie Cervantes

Third World Press Collective just had a great talk with sometimes-stencil artist Melanie Cervantes. Melanie and her husband Jesus Barraza crank out amazing political posters for many great causes. Years ago, Jesus told me that he learned how to screen print from old school printers who called the screens "stencils" (and acutally used stencils to occasionally put the image on the screen). I first met Melanie while photographing her stencils at the old Counterpulse space.

"Brown & Proud" by Melanie Cervantes and Jesus Barraza (Stencilada 2009)

Feminist Fistbumps: Artist Melanie Cervantes Discusses Art as Decolonial Activism

Happy Monday! This week we move the arts conversation from the East coast (remember Maribel and Cristy, who are living in Brooklyn?) back to the West coast! Here is our latest interview with California-based artist Melanie Cervantes, who donated a fierce piece to the online art auction that was curated by Chris Davila in December.   

Third Woman Press Collective (TWPC): Melanie, we know you’re really busy, and we thank you for joining us this week. Let’s start off by talking about your group, Dignidad Rebelde. Can you tell us a little more about it?

Melanie Cervantes (MC):  Sure! Dignidad Rebelde is a collaborative space for building community and producing art. We believe that art can be an empowering reflection of community struggles, dreams and visions. Following principles of Xicanisma and Zapatismo, we create work that translates people’s stories into art that can be put back into the hands of the communities who inspire it.

Onwards to Thousands More Stencil Uploads

Photo: Haight Street, San Francisco. Artist unknown.

Woah now! Years in the making, since 2002, Stencil Archive takes a slow and steady approach to the photos it archives and presents. Practically hand curated in an attempt to not post a second photo of the same stencil, this site strives to not judge any skill level, content (unless racist or pornographic), or other qualities. When it comes to street art, off and on the white walls, the stencil tool is open source, for the people, and for anyone who has an idea to cut out and paint. 

Thanks for the first 20,000 photos and onwards to thousands more!

The Mission, SF, CA
http://www.stencilarchive.org/archives/index.php/San_Francisco/The_Miss…

Valencia St., SF, CA
http://www.stencilarchive.org/archives/index.php/San_Francisco/Valencia…

Western Addition, SF, CA
http://www.stencilarchive.org/archives/index.php/San_Francisco/Western_…

Financial District, SF, CA
http://www.stencilarchive.org/archives/index.php/San_Francisco/SoMa_Fin…

Haight St., Divisadero St., SF, CA
http://www.stencilarchive.org/archives/index.php/San_Francisco/Haight_D…

Boston PD Experimented With Facial Recognition Tech

“It's going to get better and better. As it does, it's not just the FBI, CIA, and government agencies, but also every shopping mall you go into, potentially sports arenas,” Crockford says. “It's going to look a lot like dystopian scenes in the mall in the film Minority Report.”

http://noisey.vice.com/blog/beantowns-big-brother

BEANTOWN'S BIG BROTHER: HOW BOSTON POLICE USED FACIAL RECOGNITION TECHNOLOGY TO SPY ON THOUSANDS OF MUSIC FESTIVAL ATTENDEES

By Luke O'Neil

Although we look back on it now through a mournful or angry lens, it's easy to forget just how downright disorienting the days and weeks following the Boston Marathon bombing in April of 2013 were. Adding to the surrealism of the drama for me was a night spent on lockdown in my Watertown home while the gun fight between authorities and the alleged bomber raged on blocks away, and the intrusion of heavily armed law enforcement trampling through my front yard during the next morning's manhunt. For weeks after in the city, riding the subway or at any sort of big event, a sense of unease would sneak up on me from time to time when I realized just how easy it would be for something like the bombing to happen again. You might forgive someone attending the Boston Calling music festival at Government Center about a month later, a now twice-yearly, extremely successful event, for feeling somewhat apprehensive. It was, after all, the first large gathering of thousands of spectators since the bombing. But, as a recent investigation published in the alt-weekly Dig Boston has uncovered, perhaps concertgoers like myself needn't have worried so much; after all, the city was watching our every movement.

Coming soon...

Very soon, something amazing will happen here on Stencil Archive.

It may not be what you think it will be.

But a few things it definitely will NOT BE  ::::: Stencil Archive will not: add a pop up to make you give us your email or your money ::: FUCK click-wrap agreements!!!! :::: we won't advertise on Facebook/Google/Yahoo/etc :::: NO gleaning of your information to sell to highest bidder :::: no cooperation with the authorities (well, NSA has us all beat) ::: Don't expect spam emailings or lists you can never unsubscribe from ::: no Kickstarters or Indigogos (we hurt for funds but refuse to make the squeeze pitch on you, over and over) ::: no profits from YOUR art and/or YOUR photos (so submit them now) ::: we don't care what your politics are (unless you're rascist and/or fascist) ::: we abhor click bait ::: we will not charge you $0.99+ for bloatware to put on your device ::: we won't constantly change everything and make you download apps on top of apps ::: ___________ (anything else that drives you insane about Web 2.0 and the social media meltdown)..... 

Stay tuned for upcoming surprises!

Logan Hicks in Public Provocations 2014 (DE)

Logan Hicks (Go here for his Stencil Archive)

Logan Hicks ist ein Schablonenkünsteler aus New York, dessen Arbeit die Dynamik der urbanen Umgebung erforscht. Ursprünglich ein gelernter Siebdrucker, wurde die Arbeit Logans mit seinen von Hand gesprayten Stencilwerken rasch berühmt, aufgrund seiner Fähigkeit den manchmal mondänen Lebenszyklus des Stadtlebens auf eine tief bewegende und doch rafinierte Art und Weise einzufangen.