See If It Sticks
The Stencil Art of Scott Williams, Todd Hanson, and Russell Howze
with special guest, Jeremy Novy

Opening Night: Feb. 25, 7pm to 9pm
Feb. 25 to Mar. 25

at Density, 593 Valencia at 17th, SF, CA

Sometimes images and ideas stick out in one's mind, screaming to be created.
For a stencil artist, these images have to stick around until the paper gets cut.
Then there must be a room full of patience while the images get painted, or the wet stencils might stick!

Join us and discover your own sticky reasons for enjoying some fun art.

There will be free stenciled stickers (of course)... beer, wine while supplies last
Density will also have a special sale opening night.

a StencilArchive.org production

300 total for 6 more weeks of warming your brains around the laptop fires:

Groundhog Express, Pt. 2

>NEW< SF Turn of 21st Century (1996-2001)
http://www.stencilarchive.org/archives/index.php/San_Francisco/SF-turn-…

Haight St.
http://www.stencilarchive.org/archives/index.php/San_Francisco/Haight_D…

Groundhog Express
(including some shadows from 2007 and waaay back to around 2000)

Cairo, Egypt
http://www.stencilarchive.org/archives/index.php/Africa/Egypt

Canada (just one)
http://www.stencilarchive.org/archives/index.php/Canada

>NEW< Pervert

Graffiti week returns with calls to resume revolution
Author: Jano Charbel

Original Article Found Here: http://www.almasryalyoum.com/en/node/618131

In the run-up to the anniversary of the 25 January revolution, a street art campaign dubbed “Mad Graffiti Week” spread like wildfire across Egypt. The call for the event was announced on Facebook, Twitter and the blogs of Egyptian street artists and activists.

A growing number of Egyptian and foreign artists and activists, male and female alike, have responded to the call. They have painted their art and their messages on walls, not only in Egypt, but also in Germany, UK, Austria, Poland and Canada.

Most of the themes center around calls for completing the revolution, deposing the ruling Supreme Council of the Armed Forces (SCAF), and transferring power to civilian authorities.

Over the course of “Mad Graffiti Week,” three youths are reported to have been arrested — one in Banha City and two in Mahalla City — for acts of “vandalism.” These youths were reportedly detained, questioned and then released on the same day.

Graffiti and street art “are very powerful and effective tools of public expression,” said artist-activist Omar X-ist Mostafa. “This is evident in the fact that the police and army arrest people for painting graffiti with a political message, while the municipal authorities are constantly erasing and painting over it.”

http://www.newyorker.com/online/blogs/newsdesk/2012/01/tahrir-square-a-…

Tahrir Square: A Year in Graffiti
Posted by Wendell Steavenson
 

In the year since the landmark January 25, 2011, gathering on Tahrir Square, there has been a great exuberance of expression: theatre, documentaries, pop songs, political cartoons, and paintings. (I write about the past year in a post on the Nile View blog.) The Tahrir metro station was turned into a revolutionary picture gallery for some weeks; whenever there is a big demonstration, the revolutionary art syndicate posts satirical drawings all over the Tahrir branch of KFC. But amid all of the welter, the graffiti has plotted the year—tying nooses around Mubarak’s neck, lampooning Tantawi (the head of SCAF), commemorating martyrs, and riffing off of Egyptian cultural icons. I have become quite obsessed with documenting them all. (I think I have four or five hundred graffiti pictures now). Here, for the birthday of the revolution, are a few.

Read more http://www.newyorker.com/online/blogs/newsdesk/2012/01/tahrir-square-a-…

EXCLUSIVE! AN INTERVIEW WITH HANKSY
by Reverend Jen
original article: http://www.artnet.com/magazineus/features/jen/reverend-jen-hanksy-art-s…

Last Friday evening, I was slumming in my pajamas when my elusive roommate, J.P., emerged from his room.

"Have you ever heard of the artist, Hanksy?" he asked.

"Banksy?" I said, thinking he was speaking of the painfully hip street artist.

"No. Hanksy. He makes Banksy-like images with Tom Hanks' face on them."

Maybe it's a result of the years I spent watching reruns of Batman, but I love secret identities. Plus, I am a big fan of early Tom Hanks, specifically Bosom Buddies. My ears perked up.

"I actually know Hanksy," he added. "He has an art opening up the street at Krause Gallery. If you wanna go, I could introduce you to him."

"Do you think I could get a world-exclusive interview?"

"Probably."

Being one of the least successful writers in history, I have never had a world-exclusive interview with anyone. Thrilled with the prospect, I agreed to meet J.P. there in 20 minutes. In the meantime, I texted my boyfriend, Courtney, and his friend, Gray, who were out on a beer run and told them to meet me at 149 Orchard.

Courtney called moments later.

"I don't think you wanna bother. There's like 10 people sitting in a circle talking and one of them is a naked dude. In fact, I think it's your friend, Tommy D. Naked Man."