No person shall write, paint or draw any inscription, figure or mark of any type on any public or private building or other structure or any other real or personal property owned, operated or maintained by a public benefit corporation, the city of New York or any agency or instrumentality thereof or by any person, firm, or corporation, or any personal property maintained on a city street or other city-owned property pursuant to a franchise, concession or revocable consent granted by the city, unless the express permission of the owner or operator of the property has been obtained.

For full text

Bob Egelko, SF Chronicle

The Stencil Archive just found out that Russell "Klutch" Short passed away on June 8, 2023. This led us to doing a quick search on the site for some of his contributions to the art world, this site, and to stencil culture, art, and fandom. This Stencil Archive interview with Klutch (here is his stencil archive) is from 2004, soon after the amazing Vinyl Killers 2 exhibit (here is the stencil archive for VK1). This post needed a bit of revision, but Klutch's humor, opinions, and love for making and living art still shine through. His thoughts and words needed no revision! Rest In Paint, Russell Short.

K: I was born in Oklahoma and raised by hippie parents. I lost my mom when I was 12. This really affected me, so losing her early in my life has made me focus on living in the moment. After she was gone my dad told me I could do anything I wanted, but that I was also responsible when I fucked up. He wouldn’t be there to bail me out. I still did some crazy shit growing up but knew it was all my ass if I got caught. This sense of urgency about not wasting a single day, self reliance, and a complete lack of respect for all authority figures has shaped my whole life.

My “live for now” attitude has twice led to me leaving secure and lucrative careers to do what I want with my life. First, I left a job in the early 1980’s for skating and hardcore. I left another job three years ago to get out of the rat race and spend more time doing art and playing in the mountains. Money can be a very empty reward when you aren’t doing what makes you happy.

By Jane Perlez, New York Times
Dateline: SYDNEY, Australia

By Kirk Semple, New York Times
Published: July 9, 2004

I was searching for card stock at home today and was having trouble finding anything sufficent. I was digging through my walk in closet and found clothes boxes.  Like the ones JCPennys wraps clothes in at Christmas time. Ha, so anyway I created some sick stencils just using that. If you unhinge the corners and flip em up they act as a cool "tray" and catches unwanted paint from transfering.... I don't know if that really helps but it's one of those items lying around the house that kids could easily access. 

Stencil Archive's 2003 stencil show, San Francisco, CA

Pre- and Early Street Art Books about Stencils

Paris Graffiti; James Huber; Thames and Hudson, publisher, 1986.

Pochoir a la Une; Solange Pierson, Kriki, et al; Editions Paralleles, publisher, 1986.

Soho Walls; David Robinson; Thames and Hudson, publisher, 1990.

Pound the Pavement (zine series); Josh MacPhee (with Nicolas Lampert and Colin Matthes), Just Seeds, publisher, 2000-2008.

Banging Your Head Against a Brick Wall; Banksy; Weapons of Mass Distraction, publisher, 2001.

Existencilism; Banksy; Weapons of Mass Distraction, publisher, 2002.

Stencil Graffiti; Tristan Manco; Thames and Hudson, publisher, 2002.

Stencil Pirates; Josh MacPhee; Soft Skull Press, publisher, 2004.

Cut it Out; Banksy; Weapons of Mass Distraction, publisher, 2004.

Stencil Project - Paris 2004 (with DVD); Collectif; CRITERES, publisher, 2004.